Bach Bibliography
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Author : Melamed, Daniel R.
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Melamed, Daniel R.:   The Authorship of the Motet 'Ich lasse dich nicht' (BWV Anh. 159). JAMSoc 41/3 (Autumn 1988), 491-526
2. Melamed, Daniel R.:   Problems of Chronology, Style, and Function in J. S. Bach's Motets. [p]AMS_Baltimore (Nov 1988)
3. Melamed, Daniel R.:   Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. BachJb 75 (1989), 191-196
4. Melamed, Daniel Richard:   J. S. Bach and the German motet. diss. (1989), x, 333 Bl
5. Melamed, Daniel R.:   J. S. Bach and the Altbachisches Archiv. [p]AMS_Oakland (Nov 1990)
6. Melamed, Daniel R.:   Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. SommerAkadJSBach Almanach (1990), ii: 14 - 17
7. Melamed, Daniel R.:   Probleme zu Chronologie, Stil und Zweck der Motetten Johann Sebastian Bachs. BeitrBachF 9-10 (1991), 277-284
8. Melamed, Daniel R.:   How Did J.S. Bach Teach Vocal Composition? [p]AMS_Pittsburgh (Nov 1992)
9. Melamed, Daniel R.:   Mehr zur Chronologie von Bachs Weimarer Kantaten. BachJb 79 (1993), 213-216
10. Melamed, Daniel R.:   J. S. Bach and the German Motet. (1995), xv, 229p
11. Melamed, Daniel R.:   A thirty-six voice canon in the hand of C. P. E. Bach. BachStud 2 (1995), 107-118
12. Melamed, Daniel R. (ed.):   Bach Studies 2. BachStud 2 (1995), xiv, 238p
13. Melamed, Daniel R.:   Cantatekoren en koralen. [ce]WereldBachCantates 1 (1995), 168-183
14. Melamed, Daniel R.:   Misa Kyoku, Magnificat. [ce]BachJiten (1996), 220-224
15. Melamed, Daniel R.:   Chor- und Choralsätze. [ce]WeltBachKantaten 1 (1996), 169-184
16. Melamed, Daniel R.:   J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition. JMcol 14/4 (Autumn 1996), 453-474
17. Melamed, Daniel R.:   Joh. Christoph Bach, org. [p]ABS_California (Apr 1996)
18. Melamed, Daniel R.:   Chöre, Duette und Instrumentalstücke. [ce]WeltBachKantaten 2 (1997), 201-212
19. Melamed, Daniel R.:   Koren, duetten en instrumentale delen. [ce]WereldBachCantates 2 (1997), 202-213
20. Melamed, Daniel R.:   Choruses and Chorales. [ce]WorldOfBachCantatas 1 (1997), 155-170
21. Melamed, Daniel R.; Marissen, Michael:   An introduction to Bach Studies. (1998), xi, 189p
22. Melamed, Daniel R.:   Bach no Kyokai Kantata ni okeru Motetto Yoshiki Gakusho. BachZenshu 4 (Oct 1998), 88-96
23. Melamed, Daniel R.:   Koren. [ce]WereldBachCantates 3 (1998), 176-191
24. Melamed, Daniel R.; Sanders, Reginald L.:   Zum Text und Kontext der 'Keiser'-Markuspassion. BachJb 85 (1999), 35-50
25. Melamed, Daniel R.:   Chorsätze. [ce]WeltBachKantaten 3 (1999), 177-192
26. Melamed, Daniel R.:   Der Text der Kantate 'Gott ist mein König' (BWV 71). [fs]Schulze65 (1999), 160-172
27. Melamed, Daniel R.:   Constructing Johann Christoph Bach (1642-1703). MLetters 80/3 (Aug 1999), 345-365
28. Melamed, Daniel R.:   Bach Revived: If Wishes Were Passions. NYTimes (2 Apr 2000)
29. Melamed, Daniel R.:   The Text of Gott ist mein König BWV 71. [p]ABS_Washington (Apr 2000)
30. Melamed, Daniel R.:   Bach's Leipzig performances of the Hamburg St. Mark Passion. [p]WK_Leipzig (Jan 2000)
31. Melamed, Daniel R.:   A Tool from the Late 17th Century for Chorale Research. AmerBachSocNL (Fall 2001), 6-7
32. Melamed, Daniel R.:   The Text of 'Gott ist mein König' BWV 71. Bach 32/1 (2001), 1-16
33. Melamed, Daniel R.:   Gassho to Koraru Gakkyoku. [ce]BachKantataNoSekai 1 (2001), 271-296
34. Melamed, Daniel R. (ed.):   Motets / Johann Ludwig Bach. RecentResearchMBaroq 108 (2001), xix, 203p
35. Melamed, Daniel R.:   Die alte Chorbibliothek der Kirche Divi Blasii zu Mühlhausen. BachJb 88 (2002), 209-216
36. Melamed, Daniel R.:   Gasshokyoku, Nijushokyoku, Kigakukyoku. [ce]BachKantataNoSekai 2 (2002), 331-348
37. Melamed, Daniel R.:   Gasshokyoku. [ce]BachKantataNoSekai 3 (2002), 299-320
38. Melamed, Daniel R.:   Bachs Aufführung der Hamburger Markus-Passion in den 1740er Jahren. LeipzigerBeitrBachF 5 (2002), 289-308
39. Melamed, Daniel R.:   Bach und Palestrina -- Einige praktische Probleme I. BachJb 89 (2003), 221-224
40. Melamed, Daniel R.:   The Double Chorus in J. S. Bach's St. Matthew Passion BWV 244. JAMSoc 57/1 (Spring 2004), 3-50
41. Melamed, Daniel R.:   Hearing Bach's Passions. (2005), vii, 178p
42. Melamed, Daniel R.:   The Passions: Versions and Problems / Las pasiones: versiones y problemas. Goldberg 34 (Jun 2005), 30-37
43. Melamed, Daniel R.:   Seventeenth-Century Hamburg Passions and Their Shadows in the Eighteenth Century. [p]CWolff_Harvard (Sep 2005)
44. Melamed, Daniel R.:   Hat Johann Sebastian Bach die Lukas-Passion BWV 246 aufgeführt? BachJb 92 (2006), 161-169
45. Melamed, Daniel R.:   Bach's St. John Passion: Can We Really Still Hear the Work--and Which One? [ce]WorldOfBaroqueMusic (2006), 235-252
46. Melamed, Daniel R.:   Staffing J. S. Bach's St. Matthew Passion Then and Now. Colloquium 4 (Autumn 2007), 145-150
47. Melamed, Daniel R.:   Two Unusual Cues in J. S. Bach's Performing Parts. [fs]Leaver65 (2007), 141-146
48. Melamed, Daniel R.:   Bachs Schwester. BachJb 94 (2008), 337-341
49. Melamed, Daniel R.:   Counterpoint in Mozart's 'Die Entführung aus dem Serail'. CambridgeOperaJ 20/1 (2008), 25-51
50. Melamed, Daniel R.:   Choral Unison in J.S. Bach's Vocal Music. [ce]AboutBach (2008), 53-60
51. Melamed, Daniel R.:   The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. HarvardPubM 22 (2008), 189-205
52. Melamed, Daniel R.:   Johann Sebastian Bach and Barthold Heinrich Brockes. [p]ABS_Bethlehem (May 2008)
53. Melamed, Daniel R. (ed.):   Passion according to St. Luke (1771): based on a setting by Georg Philipp Telemann ; incorporating music by Georg Anton Benda, Gottfried Heinrich Stölzel, and Gottfried August Homilius / Carl Philipp Emanuel Bach. CPEBachCW 4/ 6.1 (2009), xxiii, 8, 132p
54. Melamed, Daniel R.:   Scoring, text and genre in 'Nun ist der Herr zu Ruh gebracht' BWV 244/67. [p]SMA_Glasgow (Apr 2009)
55. Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.:   Bach & Friends: Three Reviews of Michael Lawrence's New Film. BachNotesABS 13 (Fall 2010), 1-4
56. Melamed, Daniel R.:   Johann Sebastian Bach and Barthold Heinrich Brockes. BachPerspectives 8 (2011), 13-41
57. Melamed, Daniel R. (ed.):   J. S. Bach and the Oratorio Tradition. BachPerspectives 8 (2011), ix, 153p
58. Goldberg, Randall E.; Melamed, Daniel R. (eds.):   Passion according to St. Luke (1775) / Carl Philipp Emanuel Bach. CPEBachCW 4/ 6.2 (2011), xxx, 153p
59. Melamed, Daniel R.:   Johann Sebastian Bach, Johann Gottfried Walther und die Musik von Giovanni Pierluigi da Palestrina. BachJb 98 (2012), 73-93
60. Melamed, Daniel R.:   Text, voice, and genre in 'Nun ist der Herr zur Ruh gebracht' BWV 244/67. EastmanStudM 102 (2013), 111-135
61. Melamed, Daniel R.:   Did J. S. Bach’s Listeners Analyze? [p]BNUK_Warsaw (Jul 2013)
62. Melamed, Daniel R.:   Multi-day Passions and J.S. Bach's Christmas oratorio, BWV248. 18cM 11/2 (Sep 2014), 215-234
63. Melamed, Daniel R.:   Did Bach's Listeners Analyze? [p]ABS_Ohio (May 2014)
64. Melamed, Daniel R.:   Two Sanctus Settings by Johann Christoph Altnickol. [p]ABS_SouthBend (Apr 2016)
65. Melamed, Daniel R.; Parrott, Andrew; Fehleisen, Fred:   Principles and potential for the development of the performance-academic discourse. [p]BNUK_Cambridge (Jul 2017)
66. Melamed, Daniel R.:   Listening to Bach: the Mass in B minor and Christmas oratorio. (2018), xx, 149p
67. Melamed, Daniel R.:   How Did J. S. Bach's 'Aus Liebe will mein Heiland sterben,' BWV 244/49, Get to Be So Slow? 19cM 43/1 (Summer 2019), 3-16
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